I also read that Charbonnel inks work well for large areas of coverage, which I'll definitely need for my various holiday card designs. As I mentioned before, I've decided to try out Somerset papers for these cards because they supposedly score/fold well. Today I did a quick test on my Pilot with s combination of Charbonnel inks and Somerset paper, and it did look really nice. The edges were crisp, even with a deep impression.
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Speaking of impression, I've come to the conclusion that I just can't get a lot of it with my Pilot. It does a fine amount for small pieces like the one above, but a lot of my designs are fairly dense and I just can't get the pressure I need on my little table top guy. I've tried all sorts of packing materials, methods, and amounts...but when it comes down to it I just can't get enough pressure. I don't want to kill myself or crack the arm of my little guy, so I think I'll just have to stick to smaller designs (like business cards) on the Pilot. Luckily I've got my 8 x 12 C&P also, which so far has done great with impression over larger areas.
This was the first time I've actually PRINTED in over a month or so...I've been so busy doing backend planning and such. It felt really nice. Cleanup of Charbonnel using only vegetable oil went about like it had for all other inks - took a while, but worked pretty well in the end.
My holiday card designs are for sale on the Goode Green website, even though I haven't actually made any plates, bought any paper, bought any ink, OR tested any of the prints. Scary! This is me practicing jumping into something without overanalyzing and overpreparing, and seeing what happens. I DID spend forever pricing those suckers, though. Man is it complicated. Now I'm off to work some more on my website...cheerio!
Pulp & Press Soundtrack 9/16/09: "First Train Home" (Imogen Heap). Seriously dude...the Alice In Wonderland references that keep popping up in my life are uncanny.
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