Cow Cards

Recently I took on a project for Ashley from Monster Bites (which featured Tweedle Press on their cool blog a few months back). Ashley wanted to send me some old programs and flyers from one of her college's alumni events, and have me hand recycle them into new sheets of purple paper for note cards. I added some purple flecks from my own stash of scrap paper, and letterpress printed cows on the fronts. We came up with a joint message that states how the note cards were made, and they'll be handed out to other alums at an event. What a great idea! Talk about sustainable. And bovine-chic.

I love how my hand recycled paper takes a letterpress impression - it's so squishy and absorbent, and prints beautifully with my vegetable based inks.





Ever sine Paul came down to give Leonard a once over, he's been behaving rather well. My previous inking issues have been almost completely solved by adding roll bearers to the forme, and now I know how to adjust platen pressure myself. Leonard still has a problem with maintaining consistent pressure, but at least I can achieve the prints I want eventually. At some point I'll need to invest in a Vandercook, but this is working for now! Leonard is just big with the makeready. Oh well.

Happy New Year!

Whew...now that all the holiday craziness is over I welcome the calm of January. Time to reassess, re-motivate, recreate, and blog! First up, I'd like to announce my new blog Under The Wild Rose As Weasels, where "A city mouse with a country soul [me] attempts to mitigate the impact of 2 humans, 2 cats, 2 cars, and 2 big ass TVs by implementing realistic earth-friendly changes." It's been a blast so far.

As my first Tweedle Press offering for the new year, I've just made available these lovelies:


That's right, now you can get scrumptious letterpress printed stationery, on sheets that are recycled individually by hand from your own junk mail! Choose from unique designs to be personalized with your name. This is almost certainly the most eco-friendly, extraordinary way to reuse gift wrap and other scrap paper from your home.

I'm really happy with the designs I've come up with for the stationery


Tomorrow I plan to go into production on a few of the things that got pushed to the side during the holidays. I'll continue to release Personal Recycling products, and will be coming up with some spring-y designs soon too.

Pulp & Press Soundtrack: "Hooting & Hollering" (Wild Beasts).

Personal Recycling now available!

Just a quick entry to let all of my lovely blog readers know that Personal Recycling is now available from Tweedle Press. What exactly, you might ask, is this service? You can read the full explanation on my website, but in brief:

When you send your junk mail, used office paper, crumpled gift wrap, and paper packaging off to a commercial recycler, a lot of energy and water are used sometimes along with bleach and other chemicals to make it usable again. If you instead send your materials to Tweedle Press, I will personally make something beautiful (without the use of any nasty stuff) for you to use again. It's true that I use a small amount of electricity for my blender and one big bucket of water, but everything beyond that is entirely human-powered.

Currently I've only got Plain Sheets priced and available for purchase, but very soon you'll be able to get custom letterpress printed good on your personally recycled sheets as well. Just in time for you to send me all the used gift wrap you're about to collect!

Pulp & Press Soundtrack 12/17/09: "Night Time" (The xx).

Happy Holidays!

So I guess I fell off the blog wagon again for the last week or two...the whole vacation over Thanksgiving mucked things up a bit. Not that I didn't enjoy myself, I mean, hello:


I didn't have time to letterpress print the menu that my mom and I came up with, but it was truly excellent. Prior to stuffing my face I'd been getting some orders for cards and such in from Etsy, which just warned my cockles. I just love the whole printing/packaging/shipping process...it makes me feel so "official."

The other day I finally got around to timing myself making paper out of junk mail, so I'll know how much to charge for the service in the (near) future. I even weighed the shreds prior to blending them so I'd know exactly how many ounces to use for regular sheets of paper vs. card stock thickness. I also took shots of the finished papers with various degrees of "chunk," or how finely I shred the fibers prior to making the paper. I personally like the paper when you can still see letters and sometimes even word fragments left over:

"Super Chunk"

However, such chunk-osity is only good for artistic applications (collaging or perhaps printing gift tags). If you actually intended to use the paper for writing but still wanted some of that speckly, recycled feel:

"Chunk Light"

And finally, if you were looking for a smoother paper,

"Smooth Operator"

All of these papers and various weights would be priced the same, it would just be a matter of providing me with more or less of your junk mail to start off with. As soon as I can get a few more details worked out, expect to see my junk mail recycling service available for purchase in the Tweedle Press Shop.

I told iHub (husband Ian) that one of the things I'll really like about the studio I intend to have some day is the ability to have lots and lots of space for drying my wet papermaking couch sheets (not the actual paper I've made, but paper I use to draw water out of them). Currently when I spend a day making paper, I have to lay all of my soaked sheets out whatever counter space there is in the kitchen and dining room. This last time I even strung some up in the windows and bannisters so we could actually have somewhere to eat:


Someday my setup won't be quite so ghetto. Lastly, I've just added a new product to the store which is actually the first thing I'm offering that uses some of the pretty papers I've made from my own junk mail and other waste papers.

Dead Things / Beast Gift Tags

I had originally intended to print these gift tags on chipboard (and still will, in the future) but I wanted to start using some of the paper that I've made for something. They'd be super cute tied onto a packaging with hemp or even baker's twine, and are pretty much as eco-friendly as you could possibly get. Credit card offers turned into letterpressed gift tags? Yeah, I do that.

Pulp & Press Soundtrack 12/4/09:"Lay Me Down"(The Frames).

First Custom Job

As I mentioned last post, I'm currently working on several custom jobs. Today I set about printing, and I'm pretty happy with the results of this calling card:

It's referred to as a "calling card" both because of the simple amount of information, and because it's slightly bigger than a regular business card at 2.5" x 3.5". I had been wanting to try out French Paper's Muscleonte paper (140#), and since Barbara wanted an aqua color this seemed like the perfect opportunity. I was curious to see if the extra heavy weight would take an impression well, but it seems it was a little too "muscular." I finally got a decent impression after adding a lot of packing, but I probably won't use this paper again.

As for ink, I finally dove in and bought some Earth Pride from Braden Sutphin last week on a recommendation from a fellow letterpresser. It's vegetable based, contains less than 5% V.O.C.s, and comes in all the regular Pantone colors, unlike Van Son's VS Zero which I was previously excited about. I decided it would just be too difficult to try and mix colors using only the CMYK of VS Zero, but since I bought some I may test out some of the solid colors at some point. Overall, I'm really happy with the Earth Pride. It doesn't really smell like much, which makes my headache-prone sinuses very happy. It's a little on the soft side, but not unworkable. It definitely forms a crust in the can and isn't meant to be left "open" on the press for extended periods of time, but neither of those things really bother me. Cleanup was really quite easy using only vegetable oil. I'll probably continue to experiment with other inks, but for now I'm pretty happy with what I've got.

As long as I had all the packing and everything set up on the press, I decided to go ahead and test print using some of my hand made papers recycled from junk mail. At some point I'd love to be using all my own paper, and after this exciting test I think it will just be a matter of figuring out how to produce sheets with consistent thickness. My various papers took impression much better than the French Paper, and I think the textural elements look really snazzy:

I was a little afraid of ink bleed on the hand made papers, but as you can see the print stayed really crisp. This means that either the papers rock, the inks rock, or the combination of the two rocks! I'm really excited to see that it worked, because I was starting to think that printing on my own papers wouldn't be feasible. WOO!!

Note to self: Rubber bands are your friends, until they're not.
I've realized that it's pretty necessary to use a rubber band across the grippers of the Pilot, because I rarely use a sheet of paper big enough to be held on by the grippers. This was working well, as I had the rubber band positioned perfectly across the middle of the card where there was no printing. Until about the last 25 cards or so, I was getting pretty frustrated by an indentation in the cards I was sure was due to some uneven packing under the tmypan. Then the rubber band slipped a little and actually blocked out part of the print, and I realized it had been sitting right where the impression was happening.

I moved said rubber band higher up on the card so it just barely hit some of the crop marks, and all of my problems were solved. No more random impression, no more uneven print. I got a decent amount of prints done once I had fixed the problem, but I wish I had noticed it sooner. I can't wait until I've been doing this for a bit longer and I have all these things stored up in my brain. Someday my prints will be perfect...or closer anyway. I find that in general, letterpress is a really good lesson in imperfection for me. And with that - I'm off...maybe more printing this weekend!

Pulp & Press Soundtrack 6/5/09: Depeche Mode (Hole To Feed).

And So It Begins...

The water based inks don't come in Pantone mixable colors, so I decided just to pick 4 basic colors to test with. There could be some issues with post-drying smearage, if the prints are handled by anyone with "sweaty hands," so I didn't want to invest too much in a lot of the stuff just yet.





I finally sent in my Dead Things artwork for film and plates, and picked it all up from The Evanston Print & Paper Shop today! They look great of course. I cut up one of the beast bones stationery for test printing on my Pilot, and stuck it to my brand new Boxcar base. I did a quick first lockup in the chase, but realized after it was in the press that it needed to be shifted so that the base and plate were in the upper right hand corner. I'm still not quite used to the idea of printing with a platen press where I'll need to use gague pins to hold my paper in place, as I've got much more "real" experience on a Vandercook. I'm taking things really slowly because I do NOT want to dent my base.

Anyway, so finally I got the lock looking good so that the gague pins could sit in the lower left hand corner of the tympan paper and not hit the base, which is in the upper right hand corner of the chase. I started to realize it was going to be hard to get everything exact with this particular print because I've only got about 1/4" between the print end and the edge of the page. Also at 5.5" x 8.5", this size paper is really pushing what the Pilot can do - so this stationery might be better left for my 8 x 12.

Regardless of whether I continue with this big print or test something smaller, I've still got to figure out how to prevent my grippers from smashing into the base. Supposedly I ought to be able to turn the little cranks to loosen the gripper arms and adjust them, but they're in a really awkward position and extremely tight. I'm having a hard time figuring out how to loosen them, so I posted on Briar Press and will hopefully get some suggestions.

Brad suggested that it also seems like my new rollers may be a bit oversized. They're even being lifted off the rails as they pass over the chase, so I may have to investigate taping up the rails to prevent over-inking and roller sticking. Oh, the troubleshooting begins!

In more successful news, the other day I went about trying to make some paper that remained consistent in color and thickness. I decided to stick with mostly black and white junk mail like credit card offers (though they are fewer these days...), and it actually tured out pretty well. After following some drying advice from a group of paper makers, my press bar / sponge time was greatly reduced and I came out with fairly flat, nice sheets.

My favorite thing about recycling paper is that if you don't blend it up TOO much, you're left with a few letters scattered here and there.

My First Project

I've been working on the designs for a new collection of letterpressed items called "Dead Things" for my shop, Tweedle Press. The sets will hopefully include gift tags, coasters, stationery, and file folders:

I'll be printing several of the items on chipboard, because I love the way it feels and looks. Here are the 2" x 2" gift tags:

My ultimate goal would be to print to stationery on some of my hand made recycled paper:

But I'll have to see how much of that I can actually produce. The junk mail is piling up, but each sheet just takes so long to make! Here are the stationery designs:

First, though, I need to see about getting new rollers for my presses and some ink. I may just go ahead and buy the starter pack from Boxcar Press since I'll need a base anyway for my polymer plates, but I do want to do a little looking into other types of ink first. If I end up choosing a different kind of ink, I may need a different kind of roller. So much to do!