Showing posts with label business. Show all posts
Showing posts with label business. Show all posts

9.11.2010

Greetings from ROPA

Cripes...I've been so busy with Tweedle print projects these days that I haven't even had a moment to take photos and post! I'm not complaining - I'm just surprised that my business has switched into high gear so rapidly. I'm still reeling a little, and trying to figure out how to handle all the new work. But as I keep saying, it's a good problem to have. And it's so rewarding to know that people really like my work and keep coming back for more.

I took a break last week from client projects to work on a postcard for a swap hosted by Ladies of Letterpress, a group I belong to. The only rules were that it be 6" x 4", and be a "Greetings From..." wherever you live. Because I like to challenge myself (or make myself crazy, as iHub would say), I decided to do a 3 color print on the front with really tight registration. I designed in a slightly older, cheesy postcard style with colors from the 70s. Printing it definitely made me work...especially since Leonard had a bit of a relapse into funky inking. But I'm pretty proud of how it turned out:


As you can see, I definitely went for some impression on the front...but not so much as to cause it to show through to the back. I plan to investigate duplexing my house cotton paper at some point in the near future.


Speaking of the back, it was slightly less insane with only 1 color and not nearly as critical of an alignment:


I was pretty happy I was able to get the registration so tight.


I can't wait to see all 125 other entries, which I should be receiving copies of soon!


While I only printed enough on this run for the swap itself, I may run some more in the future for sale through my shop.

5.29.2009

Busy, busy!

Well, it's finally back to business after several weeks of vacation and general discombobulation. Currently I've got four custom print jobs I'm working on: 2 stationery, 1 calling card, 1 menu (more on that later), and I'm almost at the stage where I can scrunch all the images together to make film then plates. Once the plates are made, I'll be sure to provide updates on the print progress of each. I'm hoping to have all 4 done in a few weeks, in addition to a stock item I'll be re-running.

These "Yay" cards are from my "Peggins" series, which was one of the first sets of designs I came up with for my store. Since it's graduation season, I'll be printing up a whole bunch of them for sale:

If anybody wants to buy any - please let me know! I've actually printed these before, but it was my first ever try on a platen press and so they didn't come out quite the way I intended. Hopefully, now that I've got my own presses, I'll be able to spend an assinine amount of time perfecting the registration and colors.

Speaking of colors, I've have finally ordered some of Van Son's new VS Zero ink through Fuji. It sounds fantastically "green," and is vegetable based. According to the techs, here's an approximate breakdown:

Rapeseed Oil - Approx. 46%
Linseed Oil - Approx. 18%
Oticica Oil - Approx. 6%
Pigment (Dry) - Approx. 20%
Additives - Approx. 7%

The hope is that I'll be able to clean this ink off the presses using only vegetable oil or other non-toxic cleansers. Unfortunately, the inks aren't going to be made in the regular lineup of Pantone colors, so I'll have to see what I can do with mixing CMYK myself. I guess I'm sort of confused as to how I might go about this, seeing as how CMYK inks are intended for 4 color process prints (i.e. 4 different plates, registered perfectly). I've asked the folks on Briar Press if they have any suggestions for how I might do this, or if I'm insane for even contemplating it.

In other news...after my most recent meeting with a business counselor, I penned "The Retroactive Roadmap To Tweedle Press." My counselor suggested that I write out exactly where I'd like to be with my business a year from now, and then works backwards from that to create some goals and milestones for myself. It was extremely eye opening, and let me know that I'll really have to get moving sooner than I thought with starting to take more days per week to work on the business. Scary, but exciting! As soon as I've got a rough draft of the business plan, I'll talk more about it here. For now though, I've got a date with the Chicago Public Library to do some research on my target market, and these are some rough upcoming dates for the rest of this year:

June: ink research/testing, finish business plan, print custom projects
July: new website launch, print stock items
August: begin marketing, start to take web orders!
September: go down to 3 days a week at current job (yikes!)
October: start marketing and taking holiday orders
November: print and ship holiday orders
December: end of year money stuff, print stock items

Pulp & Press Soundtrack 5/29/09: Bon Jovi (Livin' On A Prayer). Don't laugh - I played Rock Band last weekend and it's been stuck in my head ever since. HELP ME!!!

4.17.2009

The Business Plan

About 2 years ago (a bit after I discovered my love for letterpress printing), I decided to enroll in the WBDC's "Jumpstart Your Business" series of classes. In general I'm an over-planner, over-thinker, over-organizer, and over-methodizer, but not yet an over-acheiver. At least that's how I see things. So, rather than just jump right into the fray as it seems many other letterpressers-turned-entrepreneurs do, I decided to try and make an educated stab at starting my own business. I'm not entirely sure which is the better method for this particular "industry" (and I use the term loosely; you'll see why a bit later), as here I sit all this time later and not much further along as a business owner. Sure, I've made great advances in my letterpress designs, my printing skills, my aquisition of equipment, my e-commerce store, and other such things. But does this really count as being "profitable" in the business world as opposed to my own creative and emotional state? Not a chance.

During the class series, I learned some good things about target marketing, financing, cash flow analysis, and industries. What I also learned, or re-learned, was that the world (or humanity, actually) seems very intent on categorization and pigeon holeing, and that there is no "business model" for creativity. Want to open a grocery store? There's a plan for that. Want to run a dry cleaning business? Here's how you finance, market, and project income/expenses. Want to be successful creating art, writing songs, or hand crafting letterpress greeting cards? Yeeaahh...not so much. It's not that it can't be done, it's just that there's no plan for certain success. It makes sense because creating art of any sort requires creativity and talent, which isn't really a tangible or reliable supply. Whether or not people will pay your for your creations is also mostly due to taste and subjectivity, though you can do some swaying with good marketing. I learned this once before when my old band made a stab at rockstardom: it's possible (and likely) that a lot of bands don't "make it" because they just suck, but equally likely is that they're unwilling or unable to dedicate the vast amount of time and energy it takes to market, schmooze, and create buzz for their product. I'd like to think that our failure falls into the latter category, but I digress...

My point here is that it's very hard to nail down a marketing strategy for your own creativity (and it tends to feel icky), and it's even harder to try and figure out what "industry" your creativity falls into. One of the first things to do when writing a business plan, apparently, is to identify where your business idea fits into the North American Industry Classification System. This seems like a really good idea, because once matched with your magical industry number you'll have an easier time researching your market, competition, operations, and finances. However, what do you do when your business idea includes thinking of a card design, drawing it, having plates made, manufacturing paper, printing it on said paper, selling it wholesale, distributing it, AND selling it retail? Not to mention the possibility of designing custom goods for other people. Here's the (extremely exciting) list of industries Tweedle Press could possibly fall into:

322121 Paper Mills
541430 Graphic Design Services
323119 Other Commercial Printing
511191 Greeting Card Publishers
424120 Stationery and Office Supplies Merchant Wholesalers
454111 Electronic Shopping

Besides the fact that having your hand crafted letterpress babies reduced to "Other Commercial Printing" (sexy!) is just depressing, writing a separate business plan for each of those industries would be enough to drive anyone nuts. When I tried explaining this 2 years ago to a business plan counselor, she suggested trying to see if there were any parts of my business that could be eliminated or "farmed out." This is a perfectly logical idea, except when talking to an independent, control freak artist. Why couldn't I just design the cards and have someone else print them? I could, but that's not the point. Why couldn't I just print cards designed by someone else? Again, not the point. Why couldn't I just sell cards designed and/or printed by someone else? SO not the point. Frustrated by the inability of a business-minded person to understand my drive to be successful with my art, I pretty much gave up on the plan.

However, now that I've gotten together everything that I need to design, print, package, market, and sell my products - I find myself flailing around a little bit trying to figure out how to take things to the next level. What is it that I need now? A business plan. So, once again I'm diving into the picking apart, analyzing, projecting, and compartmentalization of my letterpress babies. I'm working on a rough draft of the plan, and next week I'm set to meet with another business counselor. Hopefully, this time I'll be a little more willing to do what needs to be done, and I'll be a little better at explaining what I'm trying to do. And maybe, just MAYBE, eventually I can be a successful business owner AND feel creatively satisfied. Wouldn't that be something.

Pulp & Press Soundtrack 4/17/09: Andrew Bird (Fitz and the Dizzyspells)

2.02.2009

A Quick Note

My new base from Boxcar arrived! Man, they did it fast too. I went with the size they recommended for Pilot presses - 8.5" x 5". However, now that I'm looking at it with my press I realize I probably should have measured the distance between my grippers because it's only 8". Maybe there's something I'm missing here and it will work out - but I do NOT want to dent my base. Oh well...I suppose if it doesn't fit in the Pilot I can always use it with the big C&P.

Actually, now that I'm looking more closely at the grippers it looks like they're probably adjustable - just held on by bolts. Hopefully I can move them so I can use this size base! It would be just perfect for a flattened out A2 size card (4-1/4" x 11"), provided I don't do a full vertical bleed on both sides at once. Most of my cards just have the Tweedle Press logo centered on the back anyway.

Tomorrow I'm planning to call Roll Crafters to see about getting some new rollers for both the Pilot and the 8 x 12. I've pretty much decided on rubber, on advice both from some folks at Briar Press and Akua Water Based Inks . These inks are supposedly non toxic, and can apparently be cleaned off using vegetable oil (instead of water which could rust the press). I'm going to give them a try to see if they work well. This Friday will be my first official day that I begin taking off from my "real job" (aka the one that pays me) to work on Tweedle Press and Chicago Locavores, so I'm psyched!

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